All posts by dormetheus

I'm a writer/poet with a wild brain and a big heart (literally. I'm quite tall). I'm a philosopher in my own world and an absurd childish fool in everyone else's. I live at the pace of dreams. Time is a useful illusion, but it always seems to be dying, passing. We always seem to be out of it, or, like blood, have too much on our hands. Consciousness is becoming a fading art-form, self-realization becoming the constantly disappearing ink scrawled across it. If you want to know about me you have to accept a few things: 1. reality is a shifting cascade of probabilities held in place by convenient paradigms of will (that's what SHE said, amiright?) 2. The highest form of knowledge is realizing that we know nearly nothing. 3. Laughter and orgasm are the highest states of human existence. The combination of both is probably love. 4. I'm not really a pretentious, pedantic asshole, I just play one on [this holographic] television.

Sestina Embers

The house was abandoned now. She recalled
her childhood, the memories dancing, empty,
through the hallways, caught up in the breathing
spiderwebs that draped the corners, the horizon
of the tiled bathroom floor was shrinking, fallen
through the trailer’s asbestos, a small void

where the animals buried themselves. A voided
utility bill with a bounced check, a stack of late fees fallen
on the bottom line, her lanterns were recalled
for trying to burn down a thrust of houses on the horizon.
Luckily they were never found again, empty.
The fires she left behind were still barely breathing

on the rooftops. Her ex-husband on the couch breathing
his favorite smoke, some brand of nihilism and a void
in his hands where he lost his zippo, an empty
gesture when she held her children, where her face had fallen.
She had to steal her own car while he slept, drove for the horizon
until she ran into her parent’s old house, if she recalled

correctly. She stood in the new dark, her past recalled
across the screen door of her eyelids. Her mother’s breathing
room–she needed to be left alone after a big fight–its horizon
lines pointed toward the red barn, the northern void
of her father’s face. She told her friends she had fallen
down a staircase, the bruises were blue and empty

enough to heal, but she wasn’t. Her mother was an empty
can of gas, a cut break line, a quivering voice that recalled
911 until they called her back, a telephone pole fallen
with a busted transformer. In that same house, breathing
the same blue-white electrical air, her own daughter’s void
clinging to her leg as she checked the broken window, the horizon

so far away she could run to it, her husband’s horizon
sent over the razor’s edge of the flat earth in her mirror’s empty
rear-view. She would not raise her children in a void.
It had been 30 years since she had been here, she recalled,
standing in the same living room, the wallpaper peeling with breath,
alive, molting the old skin of the past, the screaming fallen

with the old walls. Her daughter recalled a stark emptiness
from the corner, from before she was born, breathing on the horizon
of her memory, where the hand had fallen like a struck match through the void.

pink-flamingos-fire

The Narrative Illustrations of Chiara Bautista (aka Milk)

The Dancing Rest

777-10. Chiara Bautista (MILK)

Chiara Bautista is an elusive and elliptical artist.
What may I say about her? She is Mexican and each of her artworks is a visual embodiment of complex and elaborate stories about love, life, music and beautiful monsters.

“As for my personal work, I create the illustrations in order to work as part of a small conversation and use them to express something I can’t find the right words for. After more than a decade of condensing big amounts of text into single images on a daily basis, I find using visual communication as normal as any other language. We can say things through music, words and actions. I’m one of those who like to say it using figures and colors.” Chiara Bautista

Facebook / Myspace

ANA MARY. Chiara Bautista (MILK)Oh my deer. Chiara Bautista (MILK)Roundhere. Chiara Bautista (MILK)GIFT. Chiara Bautista (MILK)CB

via [Urban-Muse]

View original post

Warp Drive

It was the way she preferred to appear,
a streak through a magnetic photograph,
here and gone before you knew what had really happened.
She vibrated in that flash, before you could say hello,
between two thoughts, her mouth, if you were lucky,
a buzzing mist of kisses. She was in so many places at once,
you keep meeting her, traveling with time
like her favorite book in her pocket, going back into it.

She leaves you notes in side dimensions
just in case you forgot your keys one more time,
forgot why you entered the room, what you were looking for,
open the refrigerator with the opposite hand
and it is hanging there, a shopping list for gravity.

As if the sun was too slow to warm you,
as if there were too much time between now and now,
she was there so suddenly moments didn’t even have a chance,
before you could remember the world without her, sooner than light.

neutrinomap2

kamland-anti-neutrino-detector

neutrinomap

Banksy Arrested, Street Artist’s Identity Revealed

Banksy arrested and identity revealed

Street artist “Banksy” was arrested after a sting operation in which cops waited outside of his studio and followed him to the location.

Not only is he facing a slew of criminal charges, including counterfeiting, but his long-standing anonymity has been unveiled.

While revealing his identity to the public might have taken away some of his mystique, it says more that the authorities are taking away his privacy.

I want to know, what business,  what shop owner, actually complained to the police that an internationally recognized artist volunteered work on their space? Are the police just so bored and overfunded that they have not much better to do? Do they take his political commentary as a personal affront?

Whatever the case may be, yet another nonviolent “offender” is off the streets, or, more specifically, on the court’s financial books.

In his interview, Banksy raises the point that marketers and advertisements are encouraged to make money by filling our public, visual, and psychic spaces with their peddling. But, once we take control, manipulate the world in the ways we see fit, then it is a crime.

I suppose that distressing reflection and satire is best left walled up in museums. No, the streets are for pushy commercialization and fad fetishes. The message is loud and clear, Banksy. This is their turf.

With art and revelation, let’s take back what’s ours.

Zombitrix

Before they knew he was dead–technomage
his face in rags, perhaps a leper
mummified with plague–he stumbled
through the city, the artificial sky
burning in the air, acrid, pumped
by concrete antennas
glittering with business,
the greasy fog lying on the street,
crawling from the sewers.
They never looked twice,

thought, perhaps, his ancient stench
was from drinking too much water,
was, as the holomyths foretold
(they used to call them books?)
a beast soaking with wisdom, freewill.
You don’t talk to those, make eye contact,
share a GUI terminal, or (market forbid!)
an oxymask. When you breathe good painkillers,
everybody knows, especially Hive,
you wouldn’t want his stench of creativity
eating at your lungs. He stumbled with an air

of antiquity, a zombie in a swarm of drones,
losing all efficiency, staring up into the future
around him, knowing it would never really come–
the anachronism of the present constantly outdated
from overbearing upgrades. His own natural skin,
a sarcophagus. They hovered past in exoskeletons,
maglifted into the void of office sectors.

In a world of immortals, DNA-mapped,
nano-gridded blood, he moaned through alleys,
laughed at like a ghost, a fairy tale.
He refused to modify his body. They smirked
every time his heart beat. They chided him,
the children unplugged long enough to point,
for having a stomach, liver, they poked
at his disconnected spleen. A man, in this world,

is a waste of time, can’t get to work fast enough,
must eat and walk covered in rags
like a mock-up, vintage cartoon ape
smoking cigarettes and slapping his own head.

When he could see the sun, through the Lucid-glass
shelling the Company in campaign ads,
(he saw it once, in the future, but it was blurry,
burning his eyes) he promised himself,
the world, as he dragged his cracked-off arm
behind him like a fermented club,
he promised no more talk of ideas
or progress, vision, happiness, fulfillment,
philosophy. He would crawl back into the shadow
like a puppet. He would strip the gauze
from his scabbed eyes, and end the curse
of overlapping past/present time, and die.

For fuck’s sake, fold his plastic halo up
between his legs, he could finally die.

cybernetic light

Image credit–

Mummy: Krysty: https://m.flickr.com/#/photos/bozsitskriszti/12742410325/
Technomage: http://darkmetalgame.wikidot.com/mage
Horizon: http://agenda21radio.com/?p=6854